Sylvia Weve: The Perfection of Simplicity
An article by Dutch writer and illustrator Ted van Lieshout about the work of illustrator Sylvia Weve, originally a speech given when she was awarded the Max Velthuijs Prize for children’s book illustration.
Winner of the 2016–17 Geisteswissenschaften International Nonfiction Translators Prize for translation from German into English
Jeroen van der Eijnde (ed.), Designing for Precarious Citizens
Architect Johan Niegeman was one of the few Dutch teachers at the famous Bauhaus art school. He and Mart Stam designed and built several social housing projects in the Soviet Union. Niegeman’s aim was to improve the quality of housing for the masses, those living in poor conditions. Designing for Precarious Citizens showcases several projects in which designers and product-design students at ArtEZ University of the Arts applied Niegeman’s ideas to today’s society. Who are today’s precarious citizens and how can design be of service to them?
Peter Sonderen (ed.), The Entanglement of Theory and Practice in the Arts
What do we mean by theory in the arts, and what role does it play? Edited by Peter Sonderen, chair of the Theory in the Arts research group at ArtEZ University of the Arts, this publication explores theory in the arts and investigates its role, its possibilities, its meaning and its importance.
Virginie Mamadouh and Anne van Wageningen (eds.), Urban Europe: Fifty Tales of the City
In Urban Europe, urban researchers and practitioners based in Amsterdam tell the story of the European city, sharing their knowledge of and insights into urban dynamics in short, thought-provoking pieces. The authors—including the Mayor of Amsterdam, urban activists, civil servants and academics—cover a wide range of topical issues, inviting and encouraging us to rethink citizenship, connectivity, innovation, sustainability and representation as well as the role of cities in administrative and political networks.
Jürgen Kleft, Shellpunk
In his work, Jürgen Kleft exaggerates the fetishization of functionality in outdoor apparel, for example by having
four ponchos make up a tent, or negates it completely, for instance with a delicate ceramic nude top with cut-outs
which is sexy in a non-fetishistic way. Whether it’s the functionality that is fetishized or there’s a sexual component to the worship, by embodying adventure and safety at the same time, outdoor clothing has come to be an object of general desire among young city dwellers.
Based in Vienna, Jürgen Kleft, a devoted student of nature, explores the secrets of equipment and planning, of improvisation and DIY. This exhibition catalog brings together and contextualizes Jürgen Kleft’s work.